Objects, texture, time. (No, not "over the top").
Objects, texture, time draws on a common theme of creating before overthinking sets in. My favorite work that I come back to again and again is always loose, expressive, raw and fast. Below are examples of applying ink to paper with various objects to create shapes and texture.
Variations on a single still life. The endless possibilities of pattern, rhythm and movement through deconstructing and reimagining a single motif.
The traveller is informed, worldly, conscious. Thirty Thousand Feet is inspired by the traveller and the space they occupy between their destinations. This work draws from the colours and textures of the cloud scattered skies at dawn and dusk as viewed from the air, as well as the lines and structures of the buildings that hold us before linking us to the skies.
The best designs are often the simplest, comprising of only a few colours and shapes. When you break it down, much of surface and textile design is no more than dots and lines put together different ways. For me, often inspiration often comes from doing the thing first and seeing what comes out. A blank white piece of paper, however, can be a daunting thing, and too much premeditation can be a roadblock to creating anything at all. So dot - dash was born - a regular meditation of white pen on a much less intimidating piece of black paper to simply see what comes out.
Undulating light. Spaced, textural, strong.
Combining natural fibres that provide different lustre, strength and texture properties to produce woven samples for a pendulum lamp shade.
Materials: cotton tape, ramie, silk, horse hair, cotton wrapped horse hair.
Vologda is famous for the preservation of its masterful bobbin lace techniques lost to other parts of Russia and the world in the wake of war and industrialisation. Vologda Vermicular is a study and reinvention of the snake-line designs unique to this region.